![]() Lundus were also frequently described as including stringed instruments, and they served as inspiration for a genre of can çonetas, or ditties, sold as sheet music for piano and voice beginning in the middle of the nineteenth century. Until the middle of the nineteenth century, Brazilian and Portuguese sources also used the word batuque to refer to celebrations and entertainment among slaves.ĭescriptions of batuques and lundus coincide on many points: dancers, singers, and observers are arranged in circles observers participate through palm clapping and singing refrains couples dance in the middle of a larger circle and there is a frequent use of umbigada, the movement through which dancers select partners by touching navels. Beginning at the end of the eighteenth century in Brazil and Portugal, the term lundu referred to a dance performed by free men and women of mixed racial background. In the seventeenth century, the Portuguese used the word calund ú to describe dances and ceremonies that preceded spirit possession and divination. The next known reference, found in 1844 in nearby Bahia, describes black slaves playing samba, but does not indicate whether those slaves were born in Africa or Brazil. That reference, found in Pernambuco in northeastern Brazil, does not mention peoples of African descent. Since samba dancers usually go out in pairs to dance samba, it is very common for their costumes to go together with each other.The first known printed reference to samba music in Brazil dates to 1838. On the head they can also wear a helmet similar to that of women, although less elaborate. The most characteristic of the sambista is that they always wear their torso naked and, in the lower part, they can wear either pants with openings in the legs so that they are half-covered, or simply a loincloth of ethnic design, with feathers and rhinestones. In short, the female samba costume can be really provocative and majestic at the same time.Īs for hombres, the suit does not have as much world fame as in the case of women's clothing. The helmet can become a really elaborate element and range from the head to cover the back completely, forming wings.īeyond these garments, each dancer is free to add as many beads as she wishes (bracelets, anklets, bracelets, necklaces, belts. Also known as oh o torso.įinally, the suit is completed with two other essential accessories: the striking helmet made of feathers and rhinestones, and some high heel shoes over 10 cm high. Pano da coast: it is the muslin or chintz cloth that is rolled around the head like a turban.To facilitate movements and not be uncomfortable to sit on, this cord is quite wide. ![]()
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